‚The Sound of Österreich‘

Austauschprozesse zwischen ‚eigenen‘, ‚anderen‘, ‚fremden‘, ‚zentralen‘ und ‚peripheren‘ Klang-Bildern

Authors

DOI:

https://doi.org/10.14464/zsem.v42i1-2.724

Keywords:

Austria, national identity, film music, Schlager, German folk music, otherness, cultural semiotics, semiosphere, Jurij Lotman, Tzvetan Todorov, cultural exchange

Abstract

The paper is dealing with popular media constructions, which are connec­ted to Austria through their musical-auditive elements and therefore represent auditive images of Austria. It reconstructs the concepts that mark these auditory representations by using Lotman’s model of the semiosphere and Todorov’s approach to otherness (identity, alterity and alienity). This also involves the systematisation of a broad spect­rum on the surface, from which a common core concept of Austria can be determined – despite the wide range of musical performances.

This is the cover of Zeitschrift für Semiotik 42, 1-2 from the year 2020. The titel of the issue is "Schlagersemiotik".

Downloads

Published

2024-06-21

Issue

Vol. 42 No. 1-2 (2020): Schlagersemiotik. Beiträge der Passauer Mediensemiotik

Section

Articles

License

Copyright (c) 2024 Hans Krah

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright for articles published in this journal is retained by the authors. The content is published under a Creative Commons Licence Attribution 4.0 International (CC BY 4.0). This permits use, distribution, and reproduction in any medium, provided the original work is properly cited, and is otherwise in compliance with the licence.