„Alles singt und tanzt“

Pioniere der heiteren Muse im DEFA-Schlagerfilm von 1958 bis 1968

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DOI:

https://doi.org/10.14464/zsem.v42i1-2.723

Keywords:

socialist film, DEFA film, East German film industry, DEFA music film, gender equality, cultural representation, socialist work ethos, collective identity, German Democratic Republic (GDR), film aesthetics, entertainment industry, GDR film industry

Abstract

This paper is dealing with a systematic examination of DEFA’s music film productions in the 1960s. Through the reconstruction of the world models presented in the films and the conveyed sets of norms and values, distinctively East German-orien­ted, socialist conceptions of an “ideal world”, which serve the entertainment, are worked out.

This is the cover of Zeitschrift für Semiotik 42, 1-2 from the year 2020. The titel of the issue is "Schlagersemiotik".

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Published

2024-06-21

Issue

Vol. 42 No. 1-2 (2020): Schlagersemiotik. Beiträge der Passauer Mediensemiotik

Section

Articles

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Copyright (c) 2024 Stephanie Großmann

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Copyright for articles published in this journal is retained by the authors. The content is published under a Creative Commons Licence Attribution 4.0 International (CC BY 4.0). This permits use, distribution, and reproduction in any medium, provided the original work is properly cited, and is otherwise in compliance with the licence.