Diagrammatik in Mathematik und Musik

Authors

DOI:

https://doi.org/10.14464/zsem.v40i3-4.699

Keywords:

diagrammatic thinking, music and mathematics, mathematical notation, diagram, diagrammatics, iconicity, Charles S. Peirce, Ludwig Wittgenstein, Frederik Stjernfelt, musical composition

Abstract

This article compares diagrams and the so-called diagrammatic thinking in mathematics and music. Differences in the use of signs and in the formation of meaning are made visible.

This is the cover of Zeitschrift für Semiotik 40, 3-4 from the year 2018. The titel of the issue is "Themenoffenes Heft".

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Published

2024-06-21

Issue

Vol. 40 No. 3-4 (2018): Themenoffenes Heft

Section

Articles

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Copyright (c) 2024 Martin Brunner

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright for articles published in this journal is retained by the authors. The content is published under a Creative Commons Licence Attribution 4.0 International (CC BY 4.0). This permits use, distribution, and reproduction in any medium, provided the original work is properly cited, and is otherwise in compliance with the licence.