Einleitung

Abstract

Surveillance and control are fundamental societal practices that steer and sustain social structures. Critical examination of surveillance began historically with the Panopticon model, which Foucault discussed as a central element of the disciplinary society. Digitalization has introduced new forms and actors of surveillance that operate through algorithmic methods and consumer behavior, gaining increasing attention, especially in the context of data misuse. This text explores the relationship between media usage and surveillance, particularly how surveillance is depicted through and within media. It examines historical and theoretical perspectives, especially in the context of data collection and consumption. A key focus is the portrayal of surveillance in films and TV series, as well as the analysis of modern surveillance forms through apps and social media. The findings provide a comprehensive overview of the modern challenges of surveillance and their societal implications.