Selbstbehauptung: Rollenfiktion zwischen Starimage und Authentizitätsanspruch als Harmonisierung kultureller Oppositionen in Hildegard Knefs "Für mich soll’s rote Rosen regnen"

Jan-Oliver Decker

doi:10.14464/zsem.v42i1-2.725

Selbstbehauptung

Rollenfiktion zwischen Starimage und Authentizitätsanspruch als Harmonisierung kultureller Oppositionen in Hildegard Knefs "Für mich soll’s rote Rosen regnen"

Authors

Jan-Oliver Decker University of Passau

DOI:

https://doi.org/10.14464/zsem.v42i1-2.725

Keywords:

autonomy, star image, pop music, gender identity, adaptation, identity, performance, Hildegard Knef, Schlager, German folk music, cultural references, role fiction

Abstract

The article examines the historical mental functions of the hit song ('Schlager') Für mich soll’s rote Rosen regnen by Hildegarde Neff (aka Hildegard Knef) using the categories 'language', 'music'and 'starimage'. The central semantics, in particular the concept of person, which in the interplay of text and context makes up the meaning of the 'Schlager', is worked out. Finally, it will be explained how these semantics are adapted to the present in the adaptation history of the song, in order to sound out the cultural reference space of the 'Schlager'.

This is the cover of Zeitschrift für Semiotik 42, 1-2 from the year 2020. The titel of the issue is "Schlagersemiotik".

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Published

2024-06-21

Issue

Vol. 42 No. 1-2 (2020): Schlagersemiotik. Beiträge der Passauer Mediensemiotik

Section

Articles

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Copyright for articles published in this journal is retained by the authors. The content is published under a Creative Commons Licence Attribution 4.0 International (CC BY 4.0). This permits use, distribution, and reproduction in any medium, provided the original work is properly cited, and is otherwise in compliance with the licence.